The Accountant Review Screen Rant. The Accountant makes for a solid, yet unremarkable, action flick that can’t live up to its higher aspirations. Diagnosed with a form of high- functioning autism as a child, Christian Wolff (Ben Affleck) possesses tremendous skills and abilities.

He’s able to complete jigsaw puzzles upside down and has a great understanding of complex mathematical problems. Christian’s prowess with numbers leads him into a career as an accountant, where he manages the finances for some of the world’s deadliest criminal organizations. His activities attract the attention of Treasury Department agent Ray King (J. K. Simmons), who assigns his associate Marybeth Medina (Cynthia Addai- Robinson) to track Christian down so he can learn the accountant’s many secrets.

1. HOME; Film; Reviews; October 12, 2016 6:00AM PT Film Review: ‘The Accountant’ While audiences wait for Ben Affleck's Batman movie, this unusual thriller is just.
2. Directed by Gavin O'Connor. With Ben Affleck, Anna Kendrick, J.K. Simmons, Jon Bernthal. As a math savant uncooks the books for a new client, the Treasury Department.

With the authorities hot on his heels, Christian decides to take on a legitimate client, agreeing to uncook the books for a state- of- the- art robotics company that recently found a sizable discrepancy in their records. As Christian works to unravel the mystery surrounding it, a plot of violence unfolds around him, forcing Christian to rely on his superior combat training in order to fight for his own survival and protect the lives of the clients he’s become close to. Ben Affleck in The Accountant. Directed by Gavin O’Connor (Warrior), The Accountant is a film that’s attracted a considerable amount of attention due to its premise and depiction of autism in a mainstream action film. The hope going into it was that it could offer Affleck an intriguing vehicle while also being respectful (and not exploitive) of people who suffer from the real- life disability. Watch Man Without A Star Online Hollywoodreporter. In that regard, the movie is mostly successful. The Accountant features a strong performance by Affleck, but it ultimately comes off as an underdeveloped, generic genre picture.

The screenplay by Bill Dubuque (The Judge) is a mixed bag. On the positive side of the spectrum, it crafts a very fascinating main character in Christian; someone who has difficulties socializing and “fitting in” even though he wants to. The Accountant is at its most captivating when he is on- screen, as it’s interesting to watch Wolff’s daily routine and how he reacts to various scenarios. Dubuque also makes effective use of flashbacks to highlight key moments from Christian’s youth, fleshing the film’s subject out in ways that make him relatable and sympathetic. Robert C. Treveiler makes the most of his brief screen time in these sequences as Christian’s father, dishing out important life lessons while trying to manage a tough and extraordinary situation. All in all, Christian is a compelling figure, and some viewers would probably be interested in seeing him return in a sequel.

Talks are underway for Ben Affleck to return and star in The Accountant 2, with director Gavin O'Connor and co-star Jon Bernthal also possibly returning. Warner Bros. has plans to move forward with The Accountant sequel, a followup to the 2016 thriller directed by Gavin O'Connor and starring Ben Affleck.

Anna Kendrick and Ben Affleck in The Accountant. Of course, part of the credit there has to go to Affleck, who delivers one of the better performances in his career. The actor comes across as suitably emotionally distant, using that trait as a great asset. When Affleck is in accountant mode, his turn is genuinely disarming and endearing, as he’s able to drop in moments of levity with his comedic timing and charm. Watch Thierry Henry: Legend Online (2017) more. Affleck develops good chemistry with Anna Kendrick, who has a supporting role as the bubbly and chipper Dana Cummings. Their odd couple dynamic features some fun interactions and moments, and it would have been nice to see the two together more often.

And as he demonstrated in Batman V Superman earlier this year, Affleck is also more than capable of handling the necessary action bits, transforming into a ruthless and efficient killer who would give John Wick a run for his money. Where The Accountant falters is that it tries to balance too many genres at once. There’s elements of a fractured family drama, the story of a “different” person trying to find his place in a cruel world, crime, action, and even romantic- comedy. The problem is that Dubuque doesn’t completely develop many of these fully, so the end result comes across as a bit undercooked and not as impactful as it could have been. Though Christian and Dana make for a nice pair, their relationship could have benefitted from being explored further to make the arc more satisfying.

The Accountant Full Movie In Hindi

In addition, The Accountant throws in some twists and turns towards the end, but the revelations aren’t as affecting as they could have been. To be fair, they are somewhat successful at drawing a response from the audience, but some viewers may feel the story is messy and convenient. Jon Bernthal in The Accountant. As stated above, Kendrick is one of the standouts of the supporting cast, drawing on her natural abilities and talent to play Dana.

The role isn’t exactly a stretch for the actress, but she gets the job done and even gets involved in the action in a creative manner. Jon Bernthal also shines as the hitman Brax, providing the film with one of its more well- rounded characters. It’s a treat to watch him perform due to Bernthal’s magnetic screen presence. Brax is unpredictable when he’s threatening his targets, leaving viewers on the tips of their toes. In some scenes, the actor elevates what’s on the page, injecting the role with the necessary gravitas to truly suck audiences in. Simmons doesn’t have much to do as King, but he gives a typically committed turn as an authoritative presence. John Lithgow and Jeffrey Tambor make glorified cameos and are fine in their parts, but the script doesn’t leave much for them to chew on either.

In the end, The Accountant makes for a solid, yet unremarkable, action flick that can’t live up to its higher aspirations. It earns points for mixing up the formula by having an autistic savant be the “hero,” but stops short of realizing its full potential. O’Connor has a steady hand in directing, crafting well- realized action set pieces and getting good performances out of his cast, but the screenplay is ultimately what lets the film down. Those who were intrigued by the marketing should be able to enjoy The Accountant, and it’s worth checking out during a slow time at the box office. However, cinephiles expecting a next- level “Good Will Hunting meets Jason Bourne” hybrid might be a tad disappointed. Trailer. The Accountant is now playing in U.

S. theaters. It runs 1. R for strong violence and language throughout. Our Rating: 3 out of 5(Good).

The Accountant' Review Hollywood Reporter. The Accountant is both an intriguingly and maddeningly schizophrenic action drama: It's intriguing due to its audacious attempt to make an antisocial, on- the- spectrum math genius into an action hero, and maddening because, having gone halfway toward genuine eccentricity, it conforms by relying on fatigued genre tropes when it finally gets down to business. All the more frustrating because of its conceptual freshness and Ben Affleck's sly turn in the title role, this sleek action thriller ends up delivering standard shoot- 'em- up goods after initially suggesting it might provide something rather different. The sizable target audience probably won't mind. It was definitely a nifty little brainstorm screenwriter Bill Dubuque (The Judge) had — to hatch the notion of a “different” sort of kid whose computer- fast talent with numbers, combined with fighting and marksmanship skills forced upon him by his sadistic military father, made Christian Wolff (Affleck) into a valued employee for big- time mobsters and others interested in cooking their books and keeping their stashes safe. Suffice it to say that, instead of getting shrinks, emotional coddling and extra time on school tests, young Christian received the sort of education Uma Thurman had when she went to China in Kill Bill. As a grown- up hunk he's like Rock Hudson in the 1.

Atlas, spectacles, conservative black suits and limited conversational proficiency. This latter trait proves frustrating to Dana (Anna Kendrick), a nerdily cute accountant for Living Robotics, a high- end high- tech company run by genius type Lamar Blackburn (John Lithgow), who, finding that nearly $7.

Christian to uncook the books. This the numbers wiz does literally overnight, barely enough time for chatty Dana to pry more than a sentence or two out of the taciturn hunk. In the early going, Dubuque and director Gavin O'Connor (Jane Got a Gun, Warrior) wring a good measure of wry, low- key humor out of their leading man's unusual character: He speaks in Samuel Beckett- like mini- sentences that put others on edge, is prim and precise, uses a pocket protector, works (for his straight job) in an anonymous little mini- mall accounting office and keeps his valuables — which include original Renoir and Jackson Pollock paintings, loads of cash and enough heavy artillery to bring down the Albanian air force at the very least — in a pristine old Airstream trailer hidden in a storage garage.

The fact that neither Dana nor any other woman can make much headway with this Einstein- brained piece of granite merely augments his fascination. But then a virus called mundane plot mechanics begins infecting the system; for reasons that are probably explained but remain both unclear and unconvincing, some bad dudes led by a brawny hot- head named Brax (Jon Bernthal) start coming after Christian and anyone else who gets in their way, which clicks on the body- count register. At this point, Affleck may as well have put on his Batman suit, as he's obliged to spend most of his time from here on taking down Brax's goons, either with rifles so huge that they look like only a superhero could lift them or in hand- to- hand combat, specifically the Indonesian martial art called pentjak silat — employed here probably because it's been little- seen in American films compared to more familiar Asian fighting styles (it was featured far more extensively and amazingly in the two Raid features). In other words, by the time push comes to kill, the ingenuity — or perhaps it's just cleverness — of the central concept has been reduced and abandoned for the sake of generic action moves. Thus is a relatively unconventional idea converted into a conventional film, which is a disappointment, as who's to say that an on- the- spectrum genius might not be just the right iteration of crime fighter for the current season?

For a good little while, The Accountant is sufficiently different from standard- issue, big studio R- rated action dramas to keep an audience with it, and Affleck's tightly wound, subtle, quietly mischievous performance compounds the pleasure. The star is onscreen alone a good deal of the time, and he sustains unbroken viewer interest in a character of a sort hardly anyone would ever get to know in real life. Every gesture, look and utterance has a purpose, no movement is wasted and the minimalism is all the more effective coming from a big man. And certainly the goofy contradiction implicit in seeing this hulk do the work of a socially awkward math teacher proves more amusing than watching him spring into heroics peering down the barrel of a very long rifle.

Kendrick provides a good foil for Affleck, while the rest of the stellar cast (including J. K. Simmons, Jeffrey Tambor and Jean Smart) is vastly overqualified for what they're asked to do in the film's roster of uninterestingly written supporting roles. Distributor: Warner Bros. Production companies: Electric City Entertainment, Zero Gravity Management. Cast: Ben Affleck, Anna Kendrick, J. K. Simmons, Jon Bernthal, Jeffrey Tambor, Cynthia Addai- Robinson, John Lithgow, Jean Smart.

Director: Gavin O'Connor. Screenwriter: Bill Dubuque. Producers: Mark Williams, Lynette Howell Taylor. Executive producers: Gavin O'Connor, Jamie Patricof, Marty P. Ewing, Steven Mnuchin. Director of photography: Seamus Mc.

Garvey. Production designer: Keith Cunningham. Costume designer: Nancy Steiner. Editor: Richard Pearson. Music: Mark Isham.

Casting: Jeanne Mc. Watch Edwin Boyd Streaming more. Carthy, Nicole Abellera.

Rated R, 1. 28 minutes.